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Repairing motors is practical and possible. The later models tend to sound more mellow, warm without the cutting edge of the earlier models. The vintage Musser, Leedy, Deagan and Jenco sound different compared to the later year models due to this alloy variance. In general, the older alloy has warmth and cutting edge due to the alloy used at the time. The tonal differences between the brands and models greatly vary. The larger size bar also may help with accuracy as the smaller bar is a smaller target. If you are amplifying your instrument, it may be a moot point. The smaller the bar size, the smaller the instrument which can be more transport friendly, conversely the large size bar instruments can be more cumbersome to transport. As far as same size bars vs various size bars, the size of the bar is really a personal choice. Ungraduated, or uniform bars, have the same width throughout. Graduated bars refers to a wide bar at the low end, graduating in various increments to a narrower bar width at the top end. Shannon Wood's Response: Hello Pascal, thank you for the compliments. Any other tips for setting this up?īTW if any other readers here need measurements for the key bars, let me know and I will take them and send pictures. The stock stand is a bit whimpy and I am considering building a custom wood stand which will look better in our musical instrument room. A couple of other questions since I am a guitar/piano player and haven't dealt with percussion instruments before:ġ) How high should the eyelets be above the felt runner?Ģ) How tight should the coated cotton twine be? I expected a tension spring but these are just tied together at the ends.ģ) Should the keys be suspended above the felt runner or sit on it?
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The eyelets don't seem to have been moved. If I match the stamped numbers on the crossbars to the stamped numbers on the left most (longest) end bar, the eyelets don't seem to match up and the keys are not straight which makes it hard to align the sharps in the normal pattern. The felts between keys will need to be remade. He has a thorough knowledge of these instruments and has a passion for collecting and preserving their legacy. Shannon is currently the Principal Timpanist of the St. Shannon Wood founded MalletShop in 1997 and is often hired to appraise vintage mallet percussion instruments by symphonies, schools, auction houses and individuals.
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Whether you need help with a problem you are having, how to price an item or find parts, post a comment here and Shannon Wood, Founder & CEO of MalletShop, will answer back here. Street, Wurlitzer, George Stone, Jähne & Boruvka or Spenke & Metzl. You may have encountered a brand that you aren't familiar with like Jenco, Galanti vibraphonette, E. M Blog – Vintage Leedy & Deagan Instrumentsĭo you have a question about a vintage Leedy or Deagan Instrument? It could be a question about the history of Deagan or Leedy or perhaps a query about an instrument you've found that you may want to sell, or even a request for more information on a vintage Deagan or Leedy such as a: xylophone, marimba, marimbaphone, xylorimba, glockenspiel, chimes, vibraphone, timpani, sound effects, novelty instruments, pipe organ bars or catalogues.
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